It’s official: white people can time-travel and teleport themselves to locations where the chances of running into one of their lily-white asses are ZERO. Like my Asian movies. Case in point?
THE LAST SAMURAI - what the hell is Tom Cruise doing in late 1800s Japan, stealing Ken Watanabe’s thunder?
MEMOIRS OF A GEISHA - yeah, the author of the book is a white dude with a serious fetish-boner for Japanese culture, but still: none of the major characters with names were white. And then, out of nowhere in the film
The fuck is this cracka doing here?
Still not convinced? Don’t worry, I got more.
SNOW FLOWER AND THE SECRET FAN - Again, no white characters in the book. None. Zilch. Then the film adaption comes out and what do we have?
I get it. Hugh Jackman’s a total babe, but the book didn’t take place in modern-day society. That shit went down from 1820-1900 in CHINA. CHINAAAAAA. Then Hollywood waves its gigantic whitewashing hands and POOF! Look, a white man.
FLOWERS OF WAR - imdb provides this very helpful summary for one of China’s most expensive-to-produce films to date:
“A Westerner finds refuge with a group of women in a church during Japan’s rape of Nanking in 1937. Posing as a priest, he attempts to lead the women to safety.”
SERIOUSLY?!
OUT.
GET THE FUCK OUT.
OUT OF MY HOUSE.
NOW.
that last one REALLY bothers me. like…a lot. read the rape of nanking and see why romantizing that national tragedy...
Oh shit, I completely forgot about that! The entire book was about REAL LIFE ASIAN AMERICANS. But Hollywood white-washed...
What about the movie “21”? That movie was about REAL people - 6 MIT students who were a Blackjack team trying to make...
i get so tired of white penis showing up where it doesn’t belong and throwing around it’s so called superiority. white...